nfts+-x
here , I take inventory of my collection - slowly -
lundi 6 mars 2023
vendredi 3 mars 2023
Stolen Camera Blues #4
Stolen Camera Blues #4 February 14, 2023, morning, in Barcelona, my bag with all my photographic equipment was stolen (Fuji XT3 + Fuji 16-80mm f/4 + Fuji 23 mm f/2 + TT Artisan 35 mm f/1.4 + 5 SD cards + 5 Batteries) and other personal stuff... And also 2 days of photography in the city... So I had my phone left to visit the city and let go my stolen camera blues. Serial numbers of the stolen equipment : FUJI Camera , XT-3 - S/N : 9CQ01618 Camera handle XT-3 – S/N : B07J4Z2MVP FUJI Lense, 16-80 mm f/4 – S/N : 2AA06927 FUJI Lense, 23 mm f/2 - S/N : B01KZ4XBA6 TT ARTISAN Lense , 35 mm f/1,4 – S/N : ?????
For Thierry
Test combining technical drawing, surrender machine, and photorealistic rendering into a triptych.
Thank you, Thierry
dimanche 19 février 2023
jeudi 16 février 2023
Fundamental Mechanics 24/52
Chapter from ‘Fundamental Mechanics’, a 2019 series of 52 ultrashort animations made using the Instagram stories feature. A contemporary interpretation of a 16th century mystic emblem book. The works were constructed from prefab components such as emojis and stickers. Unhappy with the choice available, I signed myself up for a now defunct Giphy artist account that accumulated over 125.000.000 views in 7 months. https://alexandracrouwers.com https://instagram.com/alexa_crwrs @acrwrs
mercredi 15 février 2023
mardi 14 février 2023
Landscape with Carbon Capture #2509
A long-form generative art collection minted on Verse platform as part of the exhibition "Reconciliation with the Living", 2022 — In spite of the terrible challenges that we are bound to endure, we want to embrace our creative energy and the joy to share it. — "Landscape with Carbon Capture is a critique of my own environmental consciousness as an artist working with technology around natural themes. Although I do not know any solution, although I am helpless just like you, I want to fight with what I’ve got. I want to acknowledge the great hypocrisy of our times. Carbon emissions are here to stay; they'll stain my canvas, no matter how green the colours on my palette."
À la Une
NFT 027702142023 / H.264, 1080 pixels x 1080 pixels, IPS : 30, duration : 00:07 / LAC2022 / *// Qu'est-ce qu'une image d'actualité?
Tamuna Sirbiladze - Guitar #9/10
Considering the role, that the guitar played in the cubist phase of Picasso and Braque, the rocking version of Tamuna Sirbiladze's transforming style of painting has a special connotation. (Picasso's 'Guitar' series from 1912 to 1914 are seen by art historians as the definitive transition from Analytic to Synthetic Cubism.) Sirbiladze's bent and broken representation of the guitar player, whose limbs are entangling with his instrument, is building up slowly in the viewer, but other masks are emerging too. The painting to this image (from 2010) is a late highlight of Sirbiladze's expressive figurations against figuration.
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